Silver Surfer #11: "Zero-Sum Game"

Jun. 27th, 2017 01:12 pm
superboyprime: (Default)
[personal profile] superboyprime posting in [community profile] scans_daily


"When we first conceived the current Silver Surfer series, there were three big stories we wanted to do. Galactus (#8-10) was the first. Shalla Bal (v2 #1-4) was the second. The third starts in Silver Surfer #11..." - Tom Brevoort

Read more... )
hannah: (Zach and Claire - pickle_icons)
[personal profile] hannah
My family's going to Denmark in a couple of months. For the first time, I'm included in the group. So I'll be going to Denmark in the first weekend of September.

It'd be easy to extend the trip for a few days, fly back to the US from Paris or London, see people I've never hugged or only met face-to-face once before. Or fly back to somewhere else! See someone in Canada, maybe, or Iowa or California, get a chance to...

But I don't think I could manage. I've got classes, for one, and dropping a full semester of them would push completion even further away and I don't want to be stuck in it longer than I need to be. My job's flexible enough I can take a good chunk of time off if I let them know months ahead of time and still be able to return without much disruption to my place there. So there's both of those things. One or the other could maybe be pushed aside for a little while. But not both.

It used to be I had all the possible time on my hands, but nobody to see and no way to visit them. Now I have people to see and the capacity to travel, but no time to see them. Seems fitting to my life, really.

Off-Topic Tuesday!

Jun. 27th, 2017 11:11 am
icon_uk: Mod Squad icon (Mod Squad)
[personal profile] icon_uk posting in [community profile] scans_daily
In the comments to these weekly posts (and only these posts), it's your chance to go as off topic as you like. Talk about non-comics stuff, thread derail, and just generally chat amongst yourselves.

In the US, the new Healthcare scheme is being co-ordinated and planned in such cloak and dagger stealth and secrecy that the planning of the D-Day landings look like an information free for all by comparison.

The Supreme Court upheld, sort of, Trump's travel ban, until it's review later in the year, so we'll see how that one goes.

The British PM finalised a deal with the Democratic Unionist Party (a party more regressive than even her own Tory Party are) to shore up her minority Government for Brexit, and the cost of this compeltely cynical move? A snip at £1 billion pounds. And this from a PM who told a nurse that the Public Sector pay cap of 1% had to stay because "We don't have a magic money tree"... yeah, right.

A new mini-version of the Super Nintendo is being released in September for $80

This weeks Doctor Who, the first of the two part season finale (and last regular story for Peter Capaldi) was pretty damn awesome... especially if (like one lucky friend) you had managed to avoid ALL spoilers, because the reveals were very, VERY impressive. And even if you knew what they were, they were still capable of holding an emotional gut-punch.

Missy was a delight, in her trying to be good, but not really having the right attitude for it. (Oddly, and I only realise this as I typed that last sentence, in some ways reminiscent of Capaldi's early stories, where his social skills were... distinctly lacking and he ponders over whether he's a GOOD man)

The Cybermen should always reflect a degree of body horror of course, but I can't recall anything on this scale before (The proto-Cyberman screaming "Pain!" repeatedly and endlessly through it's voicebox, until a nurse comes along to tend to it... by turning the volume on the voicebox down... That's just HORRIBLE)

My one serious concern is that Bill does not end up being a victim of the reprehensible "dead lesbian" trope in TV drama, but I'm hoping that Moffatt's tendency to NOT kill characters will shine through and it might end up being something to do with why he's seen regenerating at the start of the episode. Am REALLY jazzed for the finale!

And to shift slightly more ON topic (which I really do try NOT to do), it's the last week of Pride Month, and whilst we may not have had a theme devoted to it, since EVERY month is Pride Month on scans_daily (Well, it is if we're doing it right), a big shout out to all members who identify on the delightful rainbow which is the LGBTQIA spectrum! You are all welcome, you are all celebrated and if some of you want to post scans on the topic, then fly my pretties, FLY!

Munich Film Festival II

Jun. 27th, 2017 11:28 am
selenak: (Orson Welles by Moonxpoints5)
[personal profile] selenak
The Infiltrator was part of the Bryan Cranston retrospective and basically came across as a well-made routine thriller without anything being either bad or having anything innovative going for it. I.e. if you've watched thrillers about undercover cops working to bring a drug cartel down, you can predict all of the story beats. (Other than one spoilerly bit ).) It's entertaining and does what it sets out to do, and needless to say Cranston is reliably good in the part, but I wouldn't say it's a must.

City of Ghosts, otoh, was a fantastic documentary, directed by Matthew Heineman, about the citizen journalist group Raqqa is being slaughtered silently (RBBS). Before I watched it, I was unfamiliar with the phrase "citizen journalist" , but it's really a perfect description, because before the IS came to Raqqa, only one of them was a journalist, the rest had professions like high school math teacher or engineer. Nonetheless, they took incredible risks getting out photos and film evidence of the atrocities the so called Islamic State visited - and still visits upon their city. The surviving founders of the group had to flee but they still have some members in Raqqa, trying their best to continue getting material out. I'm always hesitant to use the phrase "real life heroes", but these people are truly heroic, and one thing that galls me especially is that when they've made it alive to Germany and safety, they promptly run into one anti-refugees march by the godawful AFD in Berlin.

The documentary starts during the "Arab Spring" in 2012, for which the Assad Regime going after Raqqa school children was one of the local triggers, and ends last year. We follow the core group of RBBS; Heineman is an invisible presence, he lets them narrate their stories, and when there's background information/exposition, such the way the IS uses the media for recruitment changed radically from the very early static speech videos to the Hollywood style big production videos that came into use after the fall of Raqqa, the activists are doing the explaining (subtitled, for the most part, everyone talks in Arabic) while the audience sees excerpts of the videos in question. BTW, I'd never seen an IS recruitment video before, and I have to say, the exact copying of action movie gimmicks and aesthetics (complete with following-the-bullet shots, soundtrack, etc.) is nearly as unsettling as the content. It's not much of a comfort that RBBS was able to puncture the IS self image enough by getting videos and photos showing the true state of Raqqa out to counteract the IS claims about it that the IS forbade any satelites in Raqqa and ordered the inhabitants to publically destroy theirs, so they regain control of the imagery. But it's something.

If the excerpts from the IS videos go for action movie gloss on violence, the mobile phone camera made videos of the RBBS are shaky, abruptly cut off, full of (inevitably) strange angles - and shocking in quite a different way. For example, the first time we see executions, the abrupt deaths and the already dead bodies lying around are bad enough, but without either the camera or any narrator pointing this out, what is as gruesome is what you see in the background. Yes, these are heads on pikes on what used to be the town square, not cheap movie props in the latest zombie splatter, but real human heads.

There's a lot of survivors guilt among the activists; one of them had to watch his father being executed in punishment, all of them are directly threatened by the IS who calls for their deaths, one lost his brother who was among the refugees who drowned in the Mediterranean, and when he talks about his dead brother, he says he still sends him messages per Facebook (as the account hasn't been taken down). "I am broken, my brother. Broken." And yet, and yet, they still continue to risk their lives. There's also a lot of comraderie we see, being physically comfortable with each other, and the rare moment of pure joy, such as everyone having a snowball fight in Berlin. You feel for them, and admire them - and hope the movie will be seen by as many people as possible. Maybe it will remind them that 95% of the victims of IS terrorism are Muslims - and said victims won't, shan't be silenced, are doing their best to fight back.

L'Intrusa, directed by Leonardo di Costanzo, is, like The Infiltrator, "based on a true story", with organized crime in the background, but the contrast couldn't be greater. While delivering a tight narration, there's nothing routine or slick about this movie, which is set in Naples and manages to avoid every single cliché. The fact you don't see the Vesuvio or the bay anywhere is just one of them; L'Intrusa is set in one of the poor quarters. The central characteris Giovanna, who has organized a miixture of daycare centre and social centre for kids and teenagers to offer them a life off the streets. When the film starts, the centre is well established and has been running for years, has been embraced by the neighborhood - but then something happens that puts Giovanna in an unsolvable dilemma. One of the small to mid level gangster's wives - Maria - and her two children have come to the centre, claiming refuge. Giovanna, Maria's daughter Rita and Maria are the three main characters; the supporting cast is also individualized, from Giovanna's right hand woman Sabina to the widow of a man Maria's husband has shot to the little daughter whose father was beaten to a pulp by Maria's husband right in front of her.

L'Intrusa never shows on screen violence. It doesn't show the Camorra doing what the Camorra does, but the after effects are present everywhere. This was a deliberate choice by the director, who in the Q & A said that if you depict Mafiosi "from the front", i.e. put them in the centre of the narration, even if you position them as villains, you end up making them in some ways sympathetic or even glorify them. "So, in my films, I only come at them sideways" - i.e. they're not there on screen, but there's no mistaking the terribile effect they have. Now, the centre is a film full of life and joy, with a community acting together, and it's rare and very attractive to see that. But it's not utopia, and in fact the need for it directly grows out of the unseen horrors around it. Not surprisingly, more and more parents object to Maria's presence. Giovanna gets accused of prioritizing the perpretators over their victims. The aunt of the little girl who has seen her father beaten into a pulp demands to know how she should justify to her sister letting her niece interact, let alone play with Rita, what that would do to her niece. Things come to a head when Rita and some of the kids argue, a normal kids' argument, with the parents drawn into, but Maria isn't just any parent, and so when she says "if you touch my daughter again etc.", the awareness that this is the wife of someone who casually kills people, even if he's currently arrested and hopefully won't get out of prison any time soon, makes this a direct threat to the other kids.

Otoh, Giovanna's argument is: if you ever want to break the cycle of violence, you need to make sure that the Marias of the world don't raise their children to follow their fathers' footsteps. That these children learn other values, learn something different. If she turns these children away from the centre, this will not happen.

As I said: it's an unsolvable dilemma, and the movie doesn't simplify it. It even adds to the stakes because Maria at first comes across as arrogant and rude (it's not until well into the film when you see her alone that you realise she's shattered and scared as well). Not to mention that she starts out by deceiving Giovanna, and there's early on not much to justify Giovanna's hope that Maria actually wants a change for herself and her children - nothing but the fact Maria is here instead of being with her rich sister-in-law, who in the movie shows up twice in a big car to retrieve Maria, in vain, and evidently lives the well funded Mafia spouse life. Basically: you understand where everyone is coming from.

Something else I learned in the Q & A was that most of the actors were lay actors, actual Neapolitans whose main job is in social service (though no one played themselves), with Giovanna being played by a woman who is a dancer and dance choreographer. "Because Giovanna doesn't say much, she's so stoic, she expresses herself through her body language," said the director, "I wanted someone who could do that, that's why I picked Raffaela Giordano." Who indeed is able to express much by the way she looks at people, by her movements, and who looks like she's closer to 50 than to 40. Everyone looks "normal", i.e. like people you could meet on the streets, not like well styled actors with a daily workout. But none act amateurishly in the sense that you're taken outside the story or feel they're talking stiltedly; given Rita and the other children are a big part of the story, that's especially amazing.

Favourite detail: one of the projects the kids in the centre work on, and the one Rita falls in love with and participates with, is building a robot they name "Mr. Jones" out of old bicycle parts. You can bet that in most other movies, Rita and her baby brother would have changed placed in age and it would have been a little boy fascinated with the robot.

In conclusion: probably my favourite movie so far, and highly reccomended
starwolf_oakley: (Default)
[personal profile] starwolf_oakley posting in [community profile] scans_daily
Conflict is needed for drama. And in a group, there is that one character who is around just to cause conflict with the other characters. WEST COAT AVENGERS #69 is an example of when there are two characters there just to cause conflict, and what happens when they fight each other.

Story by Roy Thomas, with art by Paul Ryan.

awc-cover.jpeg

Grudge Match )
kshandra: Animated text being rearranged from "I think about you all the fucking time" to "I think about fucking you all the time" (One Track Mind)
[personal profile] kshandra
I'm not sure if this one makes me want to fall in love, or just fall in bed...

The Hood #3

Jun. 26th, 2017 01:04 pm
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[personal profile] mastermahan posting in [community profile] scans_daily


Only possible trigger warning for this issue is some blood.Read more... )

a little brag

Jun. 26th, 2017 04:30 pm
kindkit: A late-Victorian futuristic zeppelin. (Airship)
[personal profile] kindkit
I now have a 100 day streak on Duolingo!

I find that gratifying in two different directions. First, of course, it's good to feel that I've stuck with my German, practiced regularly and not given up. On the other hand, 100 days is only a little over three months, so when I feel frustrated with my progress I can remind myself how little time it's actually been.

It's just a mountain, I can move it

Jun. 26th, 2017 06:12 pm
musesfool: art deco brandy ad (been drinking since half-past three)
[personal profile] musesfool
I was completely useless last night after several hours of day drinking. it was a lot of fun, but oy the headache that hit around 7 pm! Even though we definitely hydrated.

Now I have version 3 of some sort of bug bite balm cooling on the counter - it uses coconut oil, which I don't really like the smell of, so hopefully the tea tree oil, peppermint, lemongrass, and lavender essential oils will cover that up. Though I would bear the smell if it meant the itching stopped.

I know I said I was done with trying to make anti-itch cream - hot water, ice, and rubbing alcohol in conjunction with benadryl and zyrtec seem to work best, tbh - but I figured third time's the charm? And I had all the ingredients so...I guess we'll see. Or maybe I am just super itchy, since i am super allergic to bites and swell up and get all welty.

I guess that's all the exciting news from here.

***

30 day music meme, day 19

Jun. 26th, 2017 02:44 pm
kindkit: A late-Victorian futuristic zeppelin. (Airship)
[personal profile] kindkit
19. A song that makes you think about life

"Thinking about life" seems to me a fundamentally adolescent thing. I don't mean that as an insult; it's just that in my experience, as people get older, the questions become more specific. There's a loss of ambition, or arrogance, or energy; "life" is just too big a topic.

So here's a song about adolescence and (I think) about the looming spectre of adulthood.

The Mountain Goats, "Damn These Vampires"





All the prompts )

(no subject)

Jun. 26th, 2017 09:15 pm
such_heights: amy deep in thought (who: amy [dust after rain])
[personal profile] such_heights
It occurs to me I've been on twitter a lot the last two months, but nowhere else. So - hi. Still here. Grieving, but here.

Comments disabled as I think I've had as much sympathy as I can handle (it's much appreciated, just A Lot sometimes).

<3

Orphan Black 5.03

Jun. 26th, 2017 07:58 am
selenak: (Allison by Spankulert)
[personal profile] selenak
And my show love is back! Woo hoo! That was a fantastic episode.

Read more... )
kshandra: Close-up of a single lit candle against a black background (Candle)
[personal profile] kshandra
I think I knew what this had to be before anything else on the list.



Almost twenty years later, and this video still mesmerizes me.

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