skywaterblue: (death)

All is Cracked and Confusion by agapi42

This is a time-travel story that you have to read twice to fully understand. During the Bajoran Occupation, the Cardassians steal the Orb of Time. Kira went on two missions: one aborted, one where they failed, to stop it from happening. A great story that could have happened on the show, and the author knows just the right amount of sly Garak to provide.

Immortal by tornyourdress

Jadzia, before Dax. This has a lovely look at how much pressure individuals in Trill society are under to be found worthy of joining.

In The Files by tree_and_leaf

A minor Bajoran technician on the station left a surprise for the Dominion. Now she's dead and the station is back in the hands of the Federation. I particularly like this one for the spitfire mother OC.

Slings and Arrows

People Who Don't Understand Brecht Don't Understand Life by Sage.

I don't really get the pairing on this one, but it was highly rec'ed so I gave it a shot... and it works for me! Not the pairing, but what the relationship establishes about the story. A young Darren and Geoffrey join New Burbage and get cast by Oliver in Marlowe's Edward II - the author has a really insightful psychological grasp on how Darren and Geoffrey are developing as young actors, and on Oliver in his middle years. I love the backstabbing, the secret cattiness of the casting, and the OCs who raise Darren do so much to flesh out the world and make him a sympathetic character. Highly recommended by me as well!

Thereby Hangs a Tale... by Satchelfoot.

After the series, Geoffrey eventually returns to acting. A really enjoyable, true to the series tone ficlet. After all, all the world's a stage...


Every year, there are Sandman crossovers. Sandman is a little black dress - it goes with everything. I think the harder challenge is to write stories that take place entirely within the series, and there was one really good choices this year.

Except in Dreams by elynross

A day in the life of Lucien, Head Librarian in the Library of Dreams. This story makes fantastic use of the Dreaming's supporting cast and is hung on the delightful idea that Lucien and Nuala are organizing concerts of the great unfinished (except in dreams!) works of classical composers.
skywaterblue: (Default)
Benedict Cumberpatch as the New Trek Villain!

The only thing that could make me cream myself more is if the headline was 'Benedict Cumberpatch as Dream of the Endless!'

(Yes. Yes, I am dedicated into willing that into being - you try and stop me.)
skywaterblue: (neil gaiman would unhappen so much)
This is a list I made up this morning of showrunners (or head writers with exec experience) who I'd RATHER see in charge of Sandman than Kripke.

Jane Espenson, Ira Behr, Orci and Kurtzman, Alan Ball, Steven Moffat, Bryan Singer, Brian K Vaughn, Joss Whedon, and yes, Russell T Davies. (I put Debora Cahn on the initial list, but I struck her off due to lack of genre experience. I wouldn't object, though.)

Any of them would be a better choice for this project than Kripke. Of them, Brian K Vaughn and Russell T Davies are in America looking for work. If I were Warner Brothers, I would call.

Meanwhile, [personal profile] aria and I have been fantasy casting for a bit.

With pictures. )

Suggestions for the other Endless? Bonus points for keeping it in a TV-possible budget.
skywaterblue: (neil gaiman would unhappen so much)
Hollywood Reporter says that the inevitable Sandman TV show is going to be written by Eric Kripke of Supernatural.

I swear to God, I read this on Twitter in class and I actually did vomit in my mouth a little. Iced mocha latte, not so good on the second time, but not as vile as some other things it could have been.

I am this close to starting a protest website. I don't live in a universe where Death and Delirium of the Endless get written by this guy. I don't want to share a fandom with Supernatural. In fact, my life exists avoiding Supernatural. Ugh ugh ugh.

I don't think I've been so upset about a fandom thing since the 'Golden Compass' movie.
skywaterblue: (pornjosh)
First, Mad Men 4.1: Some thoughts. )

Interesting start to the season. Not entirely clear what the season's themes are, but I only watched it once.


This is the new show that AMC is pushing hard to air after Mad Men. It's your basic LeCarre-esque espionage saga with a heavy dose of 'this has a series mystery'.

The problem is that the pilot episode deals so heavily in tropes - there's a message hidden in the crossword which starts a chain of assassinations, the head boss is clearly a double spy, and the main character is supposed to be a genius analyst. Yet when his boss gets killed despite leaving him a not at all cryptic message about what train he was going to be on and a motorcycle encouraging him to leave, and then creepy boss offers him old boss's job at the funeral, main character suspects nothing.

I'm spoiled by Garak. If anyone had killed one of Garak's associates in a 'train accident' after they left him keys to a shuttlecraft and a cryptic message, he would have been on to it like scales on Cardassians.

What I'm saying is this: Spy Dramas? The ONE PLACE it's okay for your character to have 'genre savvyness' as a trait. Because that's THEIR FUCKING JOB.

Also, the writers maxed out the main character's manpain attribute: his wife and kids DIED IN 9/11.

Skip skip skip.

Inception: Too complex to really review after only seeing it once. At a certain point in the movie there are at least five layers of story you have to be keeping track of, and while I'm pretty sure I know what happened, jeez.

I actually don't think it was as meaningful a meditation on the act of filmmaking as the Prestige is, but I'd have to see it a second time.

The special effects are really astonishing, though, and I didn't even hate Leo DiCaprio that much... even though I never am able to watch a film with him in it without thinking 'that's Leo DiCaprio'. I understand why people think this indicates he's Old Hollywood Like That, I just find it fucking annoying in 2010.

OH: The real astonishing bit is how good Joseph Gordon-Levitt is in this film. I bought him completely as an action hero. I would love to see some more movies with him as the lead. The end.

Sherlock 1.1: WHOA THERE. It's awesome and hella slashy. I love the way they use mobile phones in this - probably the most natural use of phones I've seen in anything in some time.

Mainly I want to say this:




skywaterblue: (Default)

September 2014

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